feelgood

I've noticed that in some films (Can't name one off the top of my head) have a certain way of fading in and out between scene. ie: In Sums of all Fears, they changed major scene by using an overview of of a city via Satalite view. But after awhile, they stopped doing that. They stick with this way of changing scenes but after an hour or so, the filmmaker decides that they stop using it and use the old fashion quick switch.

Now, why is this? It's kinda annoying that they're not being consistent.

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Charlatan

I'm not sure I understand what you are describing...

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feelgood

Ok, bad example...

In Star Wars, they have this wipes when they switch scenes right? Other movies have their own wipes or fades or whatever you call them. And in some of them, they stick to some style of switching scenes and then after an hour or so into the movie, they don't do it anymore. I can't think of any example right off the top of my head.

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Charlatan

I think I follow you.

You are talking about transitions from one scene to another rather than cutting that occurs within a given scene...

Example A, Transition between a scene: We are on the forest moon of Endor and we have just been through a big chase scene and we come to where Luke, Han and gang all discover Leia's helmet... transition using a wipe to a scene on the death star in orbit above.

Example B, cut in the scene: Long shot of soldiers walking in the forest, we cut to a close up of one of the soldiers wiping sweat from his brow...


There are a number of methods of transitioning from one shot to another or one scecne to another: cut, wipe, iris, cross fade, fade to white or black, dissolve, etc...

Gererally speaking iris and wipe are not used all that much in today's filmmaking unless they are trying to evoke a feeling of nostalgia. This is because these methods were more common in the early days of filmmaking... more due to the technology of the day than anything else. The iris (either opening a scene by starting with a dot of light in the middle and having it open to show the whole scene or vice versa) was a direct result of how early cameras worked to open the lense of the camera. The wipe was a simple editing trick that can be done when working with physical film (as opposed to working digitally as we do today). It allowed a transition to occur in smooth manner.

Editing is a real science and a large part of the story telling is told to you by the way a film is edited.

What you are describing is probably a case where in the beginning of a film, the filmmakers are trying to ease you into a story... They are setting everything up and as a result do not want a frenetic pace to the edits... cross fades, long takes (i.e. any given shot last a long while) can acheive this.

As the film moves through the story arc and the action and the plot have moved along to a point where they want to heighten the action or create tension... the pace of the editing will likely speed up... this can be achieved with hard cuts, shorter shots, a quick succession of short shot.

When this is done well, the average person never notices it, in fact shouldn't notice it. Traditional narrative editing is really both and art and a science... it is the language filmmakers use to tell their story.

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"My hands are on fire. Hands are on fire. Ain't got no more time for all you charlatans and liars."
- Old Man Luedecke

feelgood

That makes perfect sense.

Thanks for clearing that up.

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Looking out the window, that's an act of war. Staring at my shoes, that's an act of war. Committing an act of war? Oh you better believe that's an act of war

CSflim

Well written post Charlatan!

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