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Old 03-10-2004, 03:22 AM   #1 (permalink)
Junkie
 
Passage of the Day - 10 March 2004

Quote:


Once a guy stood all day shaking bugs from his hair. The doctor told him there were no bugs in his hair. After he had taken a shower for eight hours, standing under hot water hour after hour suffering the pain of the bugs, he got out and dried himself, and he still had bugs in his hair; in fact, he had bugs all over him. A month later he had bugs in his lungs.
Having nothing else to do or think about, he began to work out theoretically the life cycle of the bugs, and, with the aid of the _Britannica_, try to determine specifically which bugs they were. They now filled his house. He read about many different kinds and finally noticed bugs outdoors, so he concluded they were aphids. After that decision came to his mind it never changed, no matter what other people told him . . . like "Aphids don't bite people."
They said that to him because the endless biting of the bugs kept him in torment. At the 7-11 grocery store, part of a chain spread out over most of California, he bought spray cans of Raid and Black Flag and Yard Guard. First he sprayed the house, then himself. The Yard Guard seemed to work the best.
As to the theoretical side, he perceived three stages in the cycle of the bugs. First, they were carried to him to contaminate him by what he called Carrier-people, which were people who didn't understand their role in distributing the bugs. During that stage the bugs had no jaws or mandibles (he learned that word during his weeks of scholarly research, an unusually bookish occupation for a guy who worked at the Handy Brake and Tire place relining people's brake drums). The Carrier-people therefore felt nothing. He used to sit in the far corner of his living room watching different Carrier-people enter--most of them people he'd known for a while, but some new to him--covered with the aphids in this particular nonbiting stage. He'd sort of smile to himself, because he knew that the person was being used by the bugs and wasn't hip to it.
"What are you grinning about, Jerry?" they'd say.
He'd just smile.
In the next stage the bugs grew wings or something, but they really weren't precisely wings; anyhow, they were appendages of a functional sort permitting them to swarm, which was how they migrated and spread--especially to him. At that point the air was full of them; it made his living room, his whole house, cloudy. During this stage he tried not to inhale them.
Most of all he felt sorry for his dog, because he could see the bugs landing on and settling all over him, and probably getting into the dog's lungs, as they were in his own. Probably--at least so his empathic ability told him--the dog was suffering as much as he was. Should he give the dog away for the dog's own comfort? No, he decided: the dog was now, inadvertently, infected, and would carry the bugs with him everywhere.
Sometimes he stood in the shower with the dog, trying to wash the dog clean too. He had no more success with him than he did with himself. It hurt to feel the dog suffer; he never stopped trying to help him. In some respect this was the worst part, the suffering of the animal, who could not complain.
"What the fuck are you doing there all day in the shower with the goddamn dog?" his buddy Charles Freck asked one time, coming in during this.
Jerry said, "I got to get the aphids off him." He brought Max, the dog, out of the shower and began drying him. Charles Freck watched, mystified, as Jerry rubbed baby oil and talc into the dog's fur. All over the house, cans of insect spray, bottles of talc, and baby oil and skin conditioners were piled and tossed, most of them empty; he used many cans a day now.
"I don't see any aphids," Charles said. "What's an aphid?"
"It eventually kills you," Jerry said. "That's what an aphid is. They're in my hair and my skin and my lungs, and the goddamn pain is unbearable--I'm going to have to go to the hospital."
"How come I can't see them?"
Jerry put down the dog, which was wrapped in a towel, and knelt over the shag rug. "I'll show you one," he said. The rug was covered with aphids; they hopped up everywhere, up and down, some higher than others. He searched for an especially large one, because of the difficulty people had seeing them. "Bring me a bottle or jar," he said, "from under the sink. We'll cap it or put a lid on it and then I can take it with me when I go to the doctor and he can analyze it."
Charles Freck brought him an empty mayonnaise jar. Jerry went on searching, and at last came across an aphid Jeaping up at least four feet in the air. The aphid was over aP inch long. He caught it, carried it to the jar, carefully dropped it in, and screwed on the lid. Then he held it up triumphantly. "See?" he said.
"Yeahhhhh," Charles Freck said, his eyes wide as he scrutinized the contents of the jar. "What a big one! Wow!"
"Help me find more for the doctor to see," Jerry said, again squatting down on the rug, the jar beside him.
"Sure," Charles Freck said, and did so.
Within half an hour they had three jars full of the bugs. Charles, although new at it, found some of the largest.
It was midday, in June of 1994. In California, in a tract area of cheap but durable plastic houses, long ago vacated by the straights. Jerry had at an earlier date sprayed metal paint over all the windows, though, to keep out the light; the illumination for the room came from a pole lamp into which he had screwed nothing but spot lamps, which shone day and night, so as to abolish time for him and his friends. He liked that; he liked to get rid of time. By doing that he could concentrate on important things without interruption. Like this: two men kneeling down on the shag rug, finding bug after bug and putting them into jar after jar.
"What do we get for these," Charles Freck said, later on in the day. "I mean, does the doctor pay a bounty or something? A prize? Any bread?"
"I get to help perfect a cure for them this way," Jerry said. The pain, constant as it was, had become unbearable; he had never gotten used to it, and he knew he never would. The urge, the longing, to take another shower was overwhelming him. "Hey, man," he gasped, straightening up, "you go on putting them in the jars while I take a leak and like that." He started toward the bathroom.
"Okay," Charles said, his long legs wobbling as he swung toward a jar, both hands cupped. An ex-veteran, he still had good muscular control, though; he made it to the jar. But then he said suddenly, "Jerry, hey--those bugs sort of scare me. I don't like it here by myself." He stood up.
"Chickenshit bastard," Jerry said, panting with pain as he halted momentarily at the bathroom.
"Couldn't you--"
"I got to take a leak!" He slammed the door and spun the knobs of the shower. Water poured down.
"I'm afraid out here." Charles Freck's voice came dimly, even though he was evidently yelling loud.
"Then go fuck yourself!" Jerry yelled back, and stepped into the shower. What fucking good are friends? he asked himself bitterly. No good, no good! No fucking good!
"Do these fuckers sting?" Charles yelled, right at the door.
"Yeah, they sting," Jerry said as he rubbed shampoo into his hair.
"That's what I thought." A pause. "Can I wash my hands and get them off and wait for you?"
Chickenshit, Jerry thought with bitter fury. He said nothing; he merely kept on washing. The bastard wasn't worth answering . . . He paid no attention to Charles Freck, only to himself. To his own vital, demanding, terrible, urgent needs. Everything else would have to wait. There was no time, no time; these things could not be postponed. Everything else was secondary. Except the dog; he wondered about Max, the dog.
A Scanner Darkly by Philip K Dick



Perhaps one of my favourite extracts, this opening passage from one of Dick's most famous novels really gives the reader the feeling of how drug abuse messes with your brain. I'm not a huge fan of Philip K Dick, as I find his work tends to repetitive paranoia and misogyny, but this book is truly worth reading.

I've heard it's being made into a movie.

Another great passage, which I can't find right now, details how the characters are outside one of their houses disassembling a bike whilst high on the drug (can't remember its name). They are completely lost as to how the "smaller" gears can make the bike go faster vs the "larger" gears which make it go slower. Inspired writing, and mostly drawn from experience if one is to believe his interviews.

Of course, if you want to read what drug abuse really does to you, then I recommend Burroughs or Thompson. But that's for another Passage of the Day sometime...


Mr Mephisto
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Old 03-10-2004, 03:35 AM   #2 (permalink)
Junkie
 
It just occured to me that the closing note from the author is also worth posting.

Quote:

AUTHOR'S NOTE


This has been a novel about some people who were punished entirely too much for what they did. They wanted to have a good time, but they were like children playing in the street; they could see one after another of them being killed--run over, maimed, destroyed--but they continued to play anyhow. We really all were very happy for a while, sitting around not toiling but just bullshitting and playing, but it was for such a terrible brief time, and then the punishment was beyond belief: even when we could see it, we could not believe it. For example, while I was writing this I learned that the person on whom the character Jerry Fabin is based killed himself. My friend on whom I based the character Ernie Luckman died before I began the novel. For a while I myself was one of these children playing in the street; I was, like the rest of them, trying to play instead of being grown up, and I was punished. I am on the list below, which is a list of those to whom this novel is dedicated, and what became of each.
Drug misuse is not a disease, it is a decision, like the decision to step out in front of a moving car. You would call that not a disease but an error in judgment. When a bunch of people begin to do it, it is a social error, a life-style. In this particular life-style the motto is "Be happy now because tomorrow you are dying," but the dying begins almost at once, and the happiness is a memory. It is, then, only a speeding up, an intensifying, of the ordinary human existence. It is not different from your life-style, it is only faster. It all takes place in days or weeks or months instead of years. "Take the cash and let the credit go," as Villon said in 1460. But that is a mistake if the cash is a penny and the credit a whole lifetime.
There is no moral in this novel; it is not bourgeois; it does not say they were wrong to play when they should have toiled; it just tells what the consequences were. In Greek drama they were beginning, as a society, to discover science, which means causal law. Here in this novel there is Nemesis: not fate, because any one of us could have chosen to stop playing in the street, but, as I narrate from the deepest part of my life and heart, a dreadful Nemesis for those who kept on playing. I myself, I am not a character in this novel; I am the novel. So, though, was our entire nation at this time. This novel is about more people than I knew personally. Some we all read about in the newspapers. It was, this sitting around with our buddies and bullshitting while making tape recordings, the bad decision of the decade, the sixties, both in and out of the establishment. And nature cracked down on us. We were forced to stop by things dreadful.
If there was any "sin," it was that these people wanted to keep on having a good time forever, and were punished for that, but, as I say, I feel that, if so, the punishment was far too great, and I prefer to think of it only in a Greek or morally neutral way, as mere science, as deterministic impartial cause-and-effect. I loved them all. Here is the list, to whom I dedicate my love:

To Gaylene, deceased
To Ray, deceased
To Francy, permanent psychosis
To Kathy, permanent brain damage
To Jim, deceased
To Val, massive permanent brain damage
To Nancy, permanent psychosis
To Joanne, permanent brain damage
To Maren, deceased
To Nick, deceased
To Terry, deceased
To Dennis, deceased
To Phil, permanent pancreatic damage
To Sue, permanent vascular damage
To Jerri, permanent psychosis and vascular damage

. . . and so forth.
In Memoriam. These were comrades whom I had; there are no better. They remain in my mind, and the enemy will never be forgiven. The "enemy" was their mistake in playing. Let them all play again, in some other way, and let them be happy.
I've got nothing to add to this, as I think it says it all.


Mr Mephisto
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Old 03-10-2004, 04:47 AM   #3 (permalink)
Rawr!
 
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Location: Edmontania
wow. It certainly makes me want to read more. I'll see if I can find it in the library. This guy is a fabulous writer, and you can feel the emotion in the words. Thanks for posting this exerpt Mephisto!

I do not really have much to add about the drug issue, because I have not had any close friends abuse drugs or really got to know anybody who developed some psychosis from misusing drugs. My views on the subject would be understandably shallow.
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Old 03-10-2004, 06:20 AM   #4 (permalink)
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Powerful stuff. It all kind of brings home the escalating cycle to oblivion that the decsion to do drugs brings to some people.<p>Might have to go search for some Philip K Dick.<p>Ah now I get where I heard his name "Do Androids Dream of Electric Sheep"m i.e. basis for Blade Runner.
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Last edited by Cycler; 03-10-2004 at 06:46 AM..
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Old 03-10-2004, 02:29 PM   #5 (permalink)
Junkie
 
A Scanner Darkly could be considered "science fiction" as it's based on a drug craze "in the future" (ie, the 90's). Remember, this was written back in the 60's!

It deals with a narcotics agent who goes under-cover to break up this drug-ring. He gets so messed up and addicted that, when not under-cover he ends up putting hiw own undercover personal under surveilance. Hope that's clear. In other words, it deals with Dick's recurring themes of reality (ie, what is real, what is illusion?).

Having had quite extensive experience of drug culture (dare I say abuse), I find the prose above rather powerful. Especially the quote "Drug misuse is not a disease, it is a decision, like the decision to step out in front of a moving car."

Quite a good book.


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