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If ace had any inkling of how the granting process works in the arts, he'd have a better idea of how it compares to the sponsorship-laden NASCAR.
Or maybe I'm just not getting his joke. It's a joke, right? |
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"Art" is in the eye of the beholder. "Art" that is worthy, will be supported by those who enjoy it. Given, each person having limited resources, each person should make a personal choice where there dollars go in support of "art". I have absolutely no interest in supporting ballet, European centered art museums, PBS, or modern art using bodily waste. The people who enjoy that should pay for it, not me. I also don't support public money used for things like sports stadiums. How is the above position not clear? {added} I will even go further. I think schools should focus only on core education. Extra activities like, sports, band, drams clubs, etc should be funded separately, by participants and those who want to sponsor such activities. If the tax burden was not so high, we might be surprised by the level people would support the things they love and want. |
first you do some handwaving in the direction of "everyone's an artist now tra la" in that kind of inverted socialism way that retro-thinking folk seem to take some perverse glee in doing these days, then when you're asked "ok so if everyone's an artist now tra la how do you propose they live?" and you respond with some rightwing bromides about "snobby east coast liberals" and nascar, the reasonable assumption, ace, is that you're not talking about anything.
then when you try to clear it up, it turns out that such point as you were trying to make was just as disengenuous as i thought from the start. |
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People make a living by selling what they do! What don't you understand about that??? NASCAR folks have no problem getting sponsors and people to spend hundrds, even thousands of dollar to see a race during a weekend. Why can't your favorite "art", do the same??? Are they too snobbish to get companies and people to sponsor what they do??? Quote:
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Also the granting process isn't just a handout. There are applications, requirements, audits, qualifications, and performance/operational minimums, etc. It's a part of doing business in the industry. Quote:
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as someone who works professionally in the arts community, I find just about everything Ace is suggesting to be patently absurd.
You don't think arts groups TRY to get corporate sponsorship? OF COURSE THEY DO!!! But companies are unwilling to give money unless they can slap their logos all over it (something that would be a little awkward on a statue or a play). Comparing NASCAR to art is ludicrous |
the position ace is adopting is disengenuous in that it's not really about a coherent discussion concerning **his** claim that the transformations of the contemporary capitalist labor market are good things because they free more people up to "be artists"---this because it's obvious that he has nothing to say on the matter----it's more about a cheap rhetorical game in which ace tries to position himself (and the fact that he has nothing to say on the topic that he brought up) as being "of the people" in a stereotyped kinda way ("i'm a conservative i like nascar" as if all conservatives were like him) and by extension as someone who finds himself either being set upon by or setting upon "snobby over-educated east coast liberals" who think in terms of things like what art might possibly be (beyond "modern art using bodily waste") who artists might be and how these people might actually be able to live.
but it's pretty obvious: ace is arguing that by "freeing people up to be artists" what he really means is that people displaced by the reorganization of capitalism are superfluous and should be allowed to die off, preferably dying off while under the impression that they have been liberated from something, which would bring it into line with all kinds of charades american. |
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Olga Korbut is the reason I watch Olympic and international championship gymnastics. Every two to four years there are similar stars who draw me to the sport. The drama and competition takes a back seat to no other sport. On the other-hand male gymnastics has very little appeal just like the WNBA has very little appeal to me, but the NBA does. Superior world-class performance stands out and generates broad interest. Tiger Woods is the reason I occasionally watch grand slam golf tournaments, no one else and the sport has done anything to keep my interest - if he doesn't play I don't care what happens. He is the story. Danica Patrick is the reason I recently watched some NASCAR, where that leads I don't know. She is the story. My wife is the reason I had dinner at Spagos, Wolf Gang Puck' restaurant in Beverly Hills, and to this day we occasionally splurge on "fine dining". the over-all experience was good enough to get me hooked, in-spite of the costs. And trust me, I was prepared to tell my wife - "see I told you it would be a waste of money". To me the tone of our comment suggests that I would never go outside my comfort zone regarding "art" because I don't know what I would enjoy or unless there is some kind of subsidy connected with it until I can gain an appreciation of it. That is a false premise. I have an awareness of the "art" that is available, and if it does not "hook" me, it is not because I don't know what I will enjoy, but has everything to do with the "art" focusing on the base level things that appeal to me regardless of form. And, there is absolutely no correlation with government subsidy and my gaining an appreciation of "art". All an artist has to do is ask me. I always enjoy a good story, simplicity, exceptional dramatic performance, underdogs over coming the odds, music with simple melodies -easy to dance to, and anything done by Clint Eastwood. ---------- Post added at 07:50 PM ---------- Previous post was at 07:43 PM ---------- Quote:
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I accept the fact that you don't understand my point and I accept that there is nothing further that I can do to help you understand. |
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I'm not saying it was ludicrous because one is more "artful" than the other, but because they serve two entirely different purposes.
It's not Apples and Oranges, it's Apples and Astro-Physics |
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you can compare anything you want. in response, i can say that comparing the sponsorships of NASCAR and Ballet is ridiculous
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Example: If a young person who has been kart racing and who has been seriously involved in ballet, and is exceptionally good at both, but now has to commit to one or the others, asks you for guidance - what do you say: "I can not help you because a comparison of the two is ridiculous?" I have to be honest here. I often reply to posts in a cynical or sarcastic manner because I think people are just screwing around with me regarding things that to me seem pretty obvious. As with our exchange on this issue, my initial reaction was to think that you are just screwing around with me. So tell me, if you are honestly willing, are you really saying that we can not compare and contrast NASCAR to ballet and take lessons from one and apply it to the other, to look at both and see their similarities rather than just focusing in on the differences, give a serious evaluation of one compared to the other, look at both as they reflect socioeconomic trends including the governing topic in this thread? Oh, to my fans, I will return to being an a$$ for a number of other reasons shortly - there is nothing to be concerned about.:thumbsup: [added} For East Coast liberals who may not know what kart racing is: No government subsidies, but costs $$$$$ |
well for one, NASCAR is a commercial sport and most public arts groups are not-for-profit.
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before the thread gets too mired in some absurd non-discussion about whether ace is able to construct a coherent argument about art funding or distinguish art-events from other events, fact is that if the article is correct there really should be concerted action from the state to expand businesses or create jobs in order to bail out folk who are not those in the hedge fund and/or insurance sector.
it is curious--or would be in a sane place---that the interests of capital are so obviously held to be more important than those of working people and no-one gets too riled up about it. right, we say. capital flows are more important than human lives. it is far more important that we think about rates of shareholder return than it is that we think about how regular folk make a living. you'd think populist conservatism would be a contradiction in terms. markets obviously do not take care of people, they obviously do not assure socially optimal allocations of resources or opportunities. never have. never will. that the right has been able to establish a political environment for its incoherent notions of taxation as persecution and/or the state as that which is responsible for irreationalities in economic affairs remains amazing to me. i think it is the residuum of this incoherent worldview that stands in the way of anything being done to help regular folk to find work. the conservative response seems to be to pretend there is no problem. that's always the conservative response---except when it comes to finding reasons to militarize class relations. |
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The conservative perspective (or at least the perspective seemingly held by fiscal conservatives) seems to require that problems be ignored. That's what "the free market" is all about. You let invisible hands guide things, and if things seem unpleasant, you cross your fingers and tell youself, "Well, this must be part of the invisible hand's divine plans." So what if people are losing their houses and their health, that's what the invisible hand does, and if we try to intervene, the invisible hand will punish us even more. It would be fucking insane to apply this type of hands-off faith to any other policy area. Free market principles are often theology posing as economic policy. |
This was actually a very interesting thread at the beginning, somewhere and I'm not sure where it's pretty much degenerated to a "nothing here folks please move along" thread.
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Maybe my memory is fading in my incipient old age, but I seem to remember grousing about "jobless recoveries" coming out of every single downturn I can remember, dating back to '82-83. Jobs seem to be something of a lagging indicator - companies don't hire until they're sure the recovery isn't just a blip.
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Working people or those charged with working on behalf of working people have an interest in their cause. One is not more important than another, it is simply an issue of where "interest" lies. The thought that those with strictly an interest in capital will look out for something else is, for a lack of a better word, foolish. Why does such foolishness in though persist? Quote:
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In regards to your statement about the history of market economies, if you *have* actually taken econ 101 then you should know the definition of a market economy. No, man has not been involved in a market based economy since pre-historic times and it certainly didn't develop when our pre-historic (or anyone else, for that matter) ancestors decided to share or barter (trade) goods. Each of those are distinct economic systems. Finally, in regards to your bewilderment over how anyone can distinguish sponsorship of NASCAR from sponsorship of the arts, even though he wrote this in his original post so you must have missed it, the main problem is in the fact that NASCAR cars, tools, any merchandise can sustain logos plastered all over them without ruining the aesthetic for most people. This is the case with all corporate sponsored activities, as far as I know, whether it be cycling, basketball, or even complete stadiums. Would you have enjoyed your Phantom of the Opera outing as much if Lenovo, Coke, and Toyota logos were plastered all over the actors' clothes? Also, I don't think the point was that if you aren't exposed to arts in education you won't learn about whether you enjoy them or not! The point was that all of those activities you learned to enjoy later in your life would not have had playwrights or chefs to make the things you want to consume if they hadn't been exposed to them as legitimate career trajectories when they were in school. |
TFP never lets me down. I drop by, and it's like I never left. Roachboy with multiple insulting straw men and blatant misrepresentations. AceVentura3 with the patient of a saint.
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If you haven't read the healthcare proposal at this point, it is your problem. The damn thing has been online for a very long time. People really should learn that they are not the world, and that "I haven't read it" is not the same thing as "no one has read it."
And last I checked, the administration that passed 32 trillion dollars in unfunded entitlements (medicare part D), through reconciliation no less, was headed by a republican. |
politics are are more of the same. they are there to place blame and to never really focus on the main problem of the basic thing that Governments BE IT RIGHT OR LEFT are there for. to not infringe on our rights. the right is doing it, and so is our current administration. it is not the responsibility of our government to "take care of all" but to leave us all alone and we will be fine, but since we have been on this path for some time whether you choose to see it or not, is where we are at. the mistakes that our LEFT/RIGHT govt has done brings us to these issues brought up.
I read more and more of Roachboys posts and it seems he talks alot like our current administration where he says a whole bunch but it doesnt make sense to most. I am sure there are better ways to bring your posts to reach more people if it didnt sound so confusing. call me dumb i guess. but reading Ace's posts it screams" fundamentals" of what this country was built on. Freedom. basically in my own words. I do not have a great vocabulary but i state what I say, in my own way, which is what RB may be doing but darn me if I cant seem to really follow most of the time. I actually get excited when I can actually decipher his posts. It almost seems as RB is pushing the lefts agenda since i see alot of "conservative" statements. and not just RB but others. Who cares who did what? they are part of the same team. its like wrestling. out front they seem like they are so different, but they are not. They just all have a job to do. to divide us. I think we should focus what is fundamentally wrong or right for us. there is a problem with this country. and govt created alot of it. |
The thing that seems to be missing here is that an investment in the arts does come back. I don't know the number on the arts in general but I do know that every Canadian tax dollar spent on film and television creates $10 to $15. This comes back in taxes, tourism, services purchased, etc.
I can also see how an investment in NASCAR by the government could result in this sort of payback as well. The government invested money in support F1 here and that money has come back many times over in tourism dollars and taxes. Too many conservatives see money going out but don't get that even their precious free market gets infusions by way of subsidies and tax breaks that amount to the same sort of investments as what arts organizations are asking for. |
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You have no idea what you're talking about if you think "the arts" consists mainly of the things you've referred to. Try this: Quote:
Fancy that the next time you want to think in extremes. |
I love waking up to see a great thread-shitting by Marv. His post is too nonsensical and insulting to even bother responding to
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I am also bewildered by his inability or unwillingness to address the question of what advice he would give a young person presented with a delimma between choosing a career in racing, perhaps leading to NASCAR and ballet. In-spite of the premise seeming to come from a Disney movie, I know many young people who may face these kinds of choices. The ability to compare is essential, I still don't get the point. Also, as an "artist" I am surprised by the lack of imagination or the inability to see through the "noise" and see beauty in something like NASCAR as an art form. Andy Warhol, as an "artist" was not blinded by commercialism: http://wwff.files.wordpress.com/2007...pg?w=205&h=274 Quote:
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I don't really understand a lot of your points. I think it's because you're often so busy arguing against *anything* you view as oppositional that you just go off on weird ass tangents.
When Roachboy is talking about "the right" he's talking about the organized political party, not what you may or may not believe as an individual. Since he's made this point abundantly clear over the years, I didn't feel the need to reiterate it. But since you asked, yes, harping on a "level playing field" is consistent with the gist of what he was getting at. The more you post, the more slips out that your ideas consistently regurgitate the Republican party's position so I wouldn't be surprised if you post some more that your comments would fit into the mold you're questioning. It'd take less time to look up the definition of a market economy than sit here and try to trip someone up when you're clearly wrong. Since you've expressed a desire in the past to play the "I'm just a common foke who doesn't get big wurds spoked by dem norheastern liberuls" rather than an articulate and educated conservative, there isn't much point in me continuing to question whether you understand the defining characteristics of a market economy. If you don't actually know, and you really want to know, I'm certain you will figure out how to educate yourself on the topic. I don't want to comment too much on this bizarre confusion you're having over the NASCAR vs. art sponsorship. It's not frustrating, just pointless. And, except for fire fighting, all of the activities you listed are taught and encouraged in primary education and extra-curricular activities so your list confirms my point instead of refuting it. Go back and re-read the discussion between us if you can't understand how that is the case. |
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Considering the amount of subsidies that have been used to build NASCAR tracks and the NASCAR hall of fame, I'd be a bit more careful about using it as an example of a self sustaining business.
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Outside of the fact that I often get blamed for going off in tangents, look back and you will find this: Quote:
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i didn't answer because i didn't think your question interesting. i still don't. not only do i think it uninteresting, but it's also a threadjack. this thread is not about what you do or do not consider to be art. the thread is about the problem of an "economic recovery" that's producing no jobs to speak of. the issue here is not whether you, ace, can come up with some nitwit argument about nascar that you imagine provokes some fantasy "snooty liberals" but rather whether there are any coherent state responses to the "jobless recovery" and whether it makes sense to perhaps include funding for "the creative classes" about which there's been alot of blah blah blah generated in non-profit land as ways to potentially persuade state outlets to fund them---in ways that may or may not have any actual impact on the lives of working artists. frequently the money that goes into "art" non-profits goes mostly to fund the non-profit itself, so much depends on the exact entity. anyway, that is the topic of the thread ace.
if you want to pursue your "provocative question" about nascar, start another thread. |
I think this is less a jobless recovery and more an outsourced recovery. It's not that the jobs aren't there; it's that they're going elsewhere.
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The alternative would be to hire domestic temp/contract workers, which I think is another trend to look at. When you have a series of 3- or 6-month contracts making up a reasonable bulk of the "job recovery," how does this show up in the numbers? Does it dilute them? |
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Secondarily, if we have a growing population who do not have "white collar" job skills due to a failing education system, employers have no choice but to go where the qualified pool of people is. In the US we are developing to distinct classes, the employable and the unemployable. I argue government is contributing to this divide. |
The notion that outsourcing is taking place because of the "unjustified cost added by the government" is non-sense. No matter how much you cut taxes costs in the US will not drop to levels found in China, India, and other popular outsourcing destinations.
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eScholarship: What is Good for Goldman Sachs is Good for America The Origins of the Present Crisis
i have been considering starting another thread around this but figure the likelihood of folk reading a 70 page narrative economic history of the neo-liberalism which runs from the reagan period through the early phases of the current implosion are pretty slim. but the paper that's linked here, "what's good for goldman sachs is good for america" is really quite impressive and utterly, completely devastates the various conservative myths not only about the present conjuncture of imploding housing prices, credit disappearances and no jobs but also about the links between these phenomena and neo-liberal monetarist policy. which btw doesn't become the actual guiding ideology of the imperial formation that was until the clinton period. shows you what we sometimes say about the united states being a single party state with two right wings. i see no particular reason to take seriously conservative hand-waving about economic history and the realities that play into it, and still less their hand-waving about what should be done to address it. the article departs from a basic argument: capitalism since the 1970s has been plagued with extremely weak fundamental characteristics as a function of a crisis of overproduction/overcapacity. but the history simply builds out from there and returns to it. the data's here. there story is interesting. and you've maybe seen popular accounts that parallel this. there's no mystery as to why there are no jobs accompanying this "recovery"...there never was any mystery about it. but read the article if you like. seems to me it might be a good idea to restart a conversation around a shared information set. we'll see what, if anything, happens. |
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it's nonsense to think that the US can compete on the production level with these other countries. |
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