12-30-2007, 12:28 PM | #1 (permalink) |
Crazy
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17-40mm or 16-35mm Lens?
I'm having a hard time deciding which lens to get. I've been doing my research and have been reading conflicting views. The 17-40mm goes for around 600 while the 16-35mm is twice as much. Is the 16-35mm worth it for the extra stop and slightly faster lens or will I be fine with the 17-40mm?
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12-30-2007, 01:00 PM | #2 (permalink) |
warrior bodhisattva
Super Moderator
Location: East-central Canada
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What are you planning to shoot with it?
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12-31-2007, 07:48 AM | #8 (permalink) |
warrior bodhisattva
Super Moderator
Location: East-central Canada
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Lay out all the advice you've received so we can evaluate it.
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Knowing that death is certain and that the time of death is uncertain, what's the most important thing? —Bhikkhuni Pema Chödrön Humankind cannot bear very much reality. —From "Burnt Norton," Four Quartets (1936), T. S. Eliot |
12-31-2007, 08:31 AM | #9 (permalink) | |
Aurally Fixated
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Have you checked out the lens reviews on Fred Miranda?
Here is an excerpt from a 16-35 review: Quote:
At the end of the day you simply have to decide what you are going to be using it for. I'm not a pro, but when I shoot indoor events, I take along two primes and tend to use the 28mm/1.8 most of the time. |
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12-31-2007, 10:47 AM | #10 (permalink) |
Crazy
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Here are my current resources on the subject:
http://www.the-digital-picture.com/R...ns-Review.aspx http://www.the-digital-picture.com/R...ns-Review.aspx http://www.luminous-landscape.com/re...on-17-40.shtml http://forums.dpreview.com/forums/re...ssage=22925873 The 17-40mm just seems like a better for bang for the buck. Last edited by Lubeboy; 12-31-2007 at 11:05 AM.. |
12-31-2007, 03:54 PM | #11 (permalink) |
Meat Popsicle
Location: Left Coast
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Ken Rockwell likes the 17-40mm.
http://www.kenrockwell.com/canon/lenses/17-40mm.htm He says, "The 17-40mm f/4 L is a better, lighter and newer lens than the fatter and more expensive 16-35mm." http://www.kenrockwell.com/canon/lenses/16-35mm.htm In my experience, Ken Rockwell is a knowledgeable, trustworthy reviewer. |
12-31-2007, 05:01 PM | #12 (permalink) |
Junkie
Location: Chicago
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I struggled and struggled when I got my 70-200. I couldn't decide if I should spend the money on the f/2.8 or save $1,000 and go with the f/4. I went with saving money. I haven't been disappointed in that decision once.
Sure, faster is always better, but when you're dealing with "L" lenses, you're already dealing with the best, and depending on the body, if you pushed the ISO to 200 or 400, there is so little noise at either that using the f/4 probably wouldn't make a difference. Now, I also agree with fnaqzna that you should always get the best you can afford, but I don't think for a second you'll be disappointed in the 17-40.
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01-01-2008, 11:15 PM | #14 (permalink) |
Existentialist
Location: New York City
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Hope I didn't jump in on this thread too soon.
You said you shoot landscape and event photography. In that case, I don't believe just one or the other will satisfy your need. As previously mentioned, you will need a lot of light to shoot events as much will probably be done indoors. As for the landscape shooting, you'll many times be stopping down to f/8 or f/11, so when it comes to that, you won't need the extra stop. My suggestion to you, is buy the 17-40 for your landscape and buy a fast prime for your events (i.e. a 50 f/1.4 or even a 50 f/1.8). I shoot indoor photography a lot and sometimes my Leica 50 f/1 isn't enough, so you WILL crave as much light as possible for indoors, and a zoom lens just won't be able to provide that. Oh yes, I meant to say this as well, but some how it escaped my mind... Since you will be shooting with a 40D, to really take advantage of the wide angle to do your landscape, strongly consider the 10-22 EFS. While I have not shot the 10-22 myself, I have certainly read great reviews about it, and some going as far as saying it's Canon's best wide angle lens. Keep in mind, shooting a 17-40 on a 40D is essentially yielding only 27-64 mm due to the 1.6x crop factor of the smaller sensor, where as the 10-22 will be 16-35.
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01-03-2008, 09:48 AM | #15 (permalink) |
Crazy
Location: Georgia, USA
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I own the 17-40...it is legendary when it comes to landscapes! As long as I don't shoot wide open (4.0) it is very sharp! You can see LOTS of samples here: http://zhphotography.zenfolio.com/
Very sharp in low light...this is F4.5 shutter speed of 1/50 This is F 5.0 and sharp throughout!
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"If you wait 'til the last minute, it will only take you a minute!" Visit my home page http://zhphotography.zenfolio.com/ Last edited by zipper; 01-03-2008 at 12:58 PM.. |
01-06-2008, 12:59 AM | #16 (permalink) |
Crazy
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Consider buying used and save some $?
http://www.keh.com/onlinestore/home.aspx has come reccomended on a camera forum for good stuff.
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1635mm, 1740mm, lens |
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