03-11-2008, 02:33 AM | #1 (permalink) |
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Location: Belmont, NC
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Classical Indian flavored music
Just seeing if there's any musicians out there with a desire to play Indian flavored music. I have created my own sitar-guitar and needless to say its an esoteric interest so far, and particularly hard to find interest here in the South US, even among Indian-Americans.
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03-28-2008, 06:31 AM | #2 (permalink) |
Completely bananas
Location: Florida
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Do you have any pics of your guitar? I've always wanted a sitar-guitar, ever since I saw one in a guitar shop in Tacoma, Washington a few years back.
How did you make it? I love Indian music, but I don't know anything about it. |
04-04-2008, 03:39 AM | #3 (permalink) |
Upright
Location: Belmont, NC
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I will try to post a pic soon. Its just a pawn shop strat copy that I jigsawed into a tear drop shape but what gave it "life" was simply buying a sitar bridge online and adding it. I love classical Indian music too, and emulating Ravi Shankar is a challenge.
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04-10-2008, 07:13 PM | #4 (permalink) |
Upright
Location: Brighton, UK
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I studied North Indian Classical music for a year, and I love it. Indian music theory has always felt much more natural and organic to me than western music theory.
I tried playing slide guitar like Vishwa Mohann Bhatt, or Debashish Battacharya (check them out if you don't know them), but quickly realised that you need a good teacher if you're ever going to get anywhere doing that. While we're on the subject of Indian flavoured guitar music... have you heard Nadia by Jeff Beck? |
04-11-2008, 07:29 PM | #5 (permalink) |
Upright
Location: Belmont, NC
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Debashish Bhattacharya played on a CD with Shakti. My guitar hero of all time is John McLaughlin. I haven't or don't remember hearing "Nadia" but will check it out. Bhattacharya is great. I am already discovering limitations with the sitar-guitar and am fixing up my sitar. An instrument I own but don't "play". I appreciate that I would need a "pandit" to sit under to ever attempt the microtones and voicings of Indian music.
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04-12-2008, 08:07 AM | #7 (permalink) |
Super Moderator
Location: essex ma
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microtones are not a big deal in themselves--they're just pitches that fall between steps in an equal temperment tuning (equal temperment=standard piano tuning). any other tuning system necessarily involves microtones. a tuning system is internally consistent/coherent, so you can just work with a system and learn its possibilities. and these systems are legion.
http://bostonmicrotonalsociety.org/ here's some of la monte young's "well tuned piano" piece which is done in a particular tuning system of his own devising: http://www.kylegann.com/wtp.html that said, i'm personally kinda obsessed with microtones and manipulating them. la monte young is an interesting cat in the cross-over space that you're interested in--he studied for many years with pandit pran nath... this is a kinda interesting essay by henry flynt, who was around young and also studied with pran nath. http://www.henryflynt.org/aesthetics..._pran_nath.htm like sun ra said, there are other worlds they've not told you about, and they want to speak with you...
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a gramophone its corrugated trumpet silver handle spinning dog. such faithfulness it hear it make you sick. -kamau brathwaite |
04-17-2008, 02:59 AM | #8 (permalink) |
Upright
Location: Belmont, NC
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Currently restringing and fixing my sitar up. I was in love with my sitar-guitar but am feeling the limitations now. I own tabla and they are a nice conversation piece. Especially after seeing Zakir Hussain and his percussion masters Sunday night. Awesome concert.
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Tags |
classical, flavored, indian, music |
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