06-11-2003, 07:43 PM | #1 (permalink) |
Who You Crappin?
Location: Everywhere and Nowhere
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MetallicaVault PSA
You may or may not know that when you buy the new Metallica album "St. Anger", you are given a code key to log on to www.metallicavault.com and download the mp3's to 3 full live shows. I was pretty psyched about this, as I never bought "Live Shit: Binge and Purge", and figured this was a big bonus.
Well I'm a bit disappointed. First of all, you can't hear the audience much at all, which takes away from that big arena sound. Almost every track, James is drumming up some audience response that you can't hear, or letting the audience sing lines to the song that you again can't hear. Secondly, many songs are repeated between the 3 concerts, and they are all songs that most of us don't want (ie shit off of Load and Reload). Barely anything from Justice (just "One"), only one version of Master of Puppets (which they mysteriously end right before the slow instrumental section), etc. Here are the track listings of the three concerts, followed by my reccomendation of which tracks to get, and which to save your time (and bandwith) by skipping. BIRMINGHAM, ENGLAND - 1996 1. Intro 2. Creeping Death 3. Sad But True 4. Ain't My Bitch 5. Whiplash 6. Bleeding Me 7. King Nothing 8. One 9. Devil's Dance 10. Bass Solo / Nothing Else Matters / Until it Sleeps 11. For Whom the Bell Tolls 12. Wherever I May Roam 13. Fade to Black 14. Medley - Ride the Lighting / No Remorse / Hit the Lights / The Four Horsemen MIDDLETOWN COUNTY FAIRGROUNDS, NY - 1994 1. Master of Puppets (well, the first 4 minutes of it) 2. Wherever I May Roam 3. Harvester of Sorrow 4. Kirk Guitar Solo 5. Sanitarium 6. The God That Failed 7. Medley - Ride the Lightning / No Remorse/ The Four Horsemen / Phantom Lord / Fight Fire with Fire 8. For Whom the Bell Tolls (with a jam intro) 9. Seek and Destroy (sung by Jason) 10. Kirk Solo 11. Nothing Else Matters 12. Creeping Death 13. Bass Solo 14. Fade to Black 15. Whiplash 16. Sad But True 17. One 18. Enter Sandman CLEVELAND, OH - 1998 1. Fuel 2. The Memory Remains 3. Bleeding Me 4. Bass Solo and Jam 5. Nothing Else Matters 6. Until it Sleeps 7. King Nothing 8. Wherever I May Roam 9. One 10. Fight Fire With Fire 11. Low Man's Lyric 12. The Four Horsemen (Acoustic) 13. Whiplash (Acoustic) 14. Audience talk and Jam 15. Sad But True 16. Enter Sandman 17. Creeping Death That's 49 tracks, but when you cut out all the jams, solos and pattter, that's only 21 or so distinct songs. One, Nothing Else Matters, Creeping Death, Wherever I May Roam and Sad But True are in all 3 concerts, as are some form of The Four Horsemen, Whiplash, and either Ride The Lighting, No Remorse or Fight Fire with Fire. Most of the "Solo" or "Jam" segments aren't that great. So if you want to distill all of this down to one pretty good double CD, I would recommend the following: DISC 1: 1. Fuel - CLEVELAND (5:21) 2. The Memory Remains - CLEVELAND (5:14) 3. Creeping Death - CLEVELAND (8:22) 4. Sanitarium - MIDDLETOWN (7:13) 5. Wherever I May Roam - BIRMINGHAM (7:20) 6. Ain't My Bitch - BIRMINGHAM (5:31) 7.Whiplash - MIDDELTOWN (though the Acoustic version is a change) (5:05) 8. Nothing Else Matters - CLEVELAND (6:18) 9. Low Man's Lyric - CLEVELAND (7:16) 10. One - MIDDLETOWN (10:04) TOTAL TIME - 67:34 DISC 2: 1. Sad But True - CLEVELAND (6:13) 2. God That Failed - MIDDLETOWN (5:58) 2. For Whom the Bell Tolls - BIRMINGHAM (5:48) 3. Fight Fire With Fire - CLEVELAND (5:58) 3. Harvester of Sorrow - MIDDLETOWN (6:56) 4. Medley - BIRMINGHAM (12:06) 5. Fade to Black - MIDDLETOWN (7:34) "Encore" 6. Master of Puppets - MIDDLETOWN (4:04) 7. Seek and Destroy - MIDDLETOWN (10:00) 8. The Four Horsemen (Acoustic) - CLEVELAND (3:45) TOTAL TIME - 68:22 Of course you could sub in a song like "Enter Sandman" (which I hate) if you don't like the others. Anyways, I hope this helps... Last edited by Derwood; 06-11-2003 at 07:46 PM.. |
06-12-2003, 07:49 AM | #3 (permalink) |
Who You Crappin?
Location: Everywhere and Nowhere
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the mp3's are of various quality. They sound like they are taped off of the mixing board, which probably explains how quiet the crowd is in the mix.
When given the choice between the three versions of a given song, i chose the one with the best sound AND the best playing (one version of One, for example, has some pretty sloppy guitar by kirk)
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