09-23-2003, 02:15 PM | #3 (permalink) |
All hail the Mountain King
Location: Black Mesa
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I like Michael Sowa and have several of his prints in my home and office. Interesting fact, he was the Artistic Consutant on the French film "Amelie."
Here's a sample, it's called "Autobahn Sau." <img src=http://www.poster.net/sowa-michael/sowa-michael-autobahnsau-8600027.jpg"> Hmm, guess I can't hot link that img, well if you are so inclined you can check out his work at this location: http://www.postershop.co.uk/Sowa-Michael-p.html |
09-24-2003, 02:31 PM | #4 (permalink) |
Gentlemen Farmer
Location: Middle of nowhere, Jersey
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Jennifer Hornyak. A Montreal artist whose work has always left me breathless.
Have one from years ago, which is a stunning potrayal of a man and women in a huge hat with eye popping reds and blues, dining at a cafe like table. Very impressionistic. She seems to have gotten very surreal lately but you be the judge... http://www.debellefeuille.com/hornyak.html -bear
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It's alot easier to ask for forgiveness then it is to ask for permission. Last edited by j8ear; 09-24-2003 at 04:39 PM.. |
09-25-2003, 06:40 AM | #8 (permalink) |
Tilted Cat Head
Administrator
Location: Manhattan, NY
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the family has several Dalis love them ... so does the wife... the Dali museum in St. Peterburg, FL is wonderful.
the Sahm reminds me of Thomas Kinkade whom I like looking at but will never buy, totally oversaturated.
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09-25-2003, 09:43 AM | #9 (permalink) |
Please touch this.
Owner/Admin
Location: Manhattan
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I'm a big fan of the fantasy artist Luis Royo. I take a walk through the sci-fi/fantasy section in the book store and I can pick out the book covers he draws without a second thought. He's not a classic artist, but his works are always impressive to me.
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09-25-2003, 08:38 PM | #11 (permalink) |
Apocalypse Nerd
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Wow, I've started to look up some of these artists...
Dave Mckean has some very alluring pieces. Check out this one from his website: Luis Royo is amazing. He really demonstrates passion. There is alot there... but check this one out from his Prohibited Book (again off his website.) Believe it or not, I've actually got Christina's World up in my Living room. For sheer texture Wyeth nears the top of my list on favorite artists. Your right Autobahn Sue is funny, strangly moving. Thanks for all the new artists. -Eric |
09-25-2003, 08:52 PM | #12 (permalink) |
Insane
Location: Austin, Texas .. Y'all
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Heh... I like Bob Ross.
No, I am not joking. I have never EVER sat and watched anything as "boring" as the painting he used to do. I was mesmerized listening to him and watching him turn blobs into trees and mountains. His paintings might not have been world class, but something about his calmness was always welcomed into my life. |
09-26-2003, 02:27 AM | #13 (permalink) |
Addict
Location: Portland
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hey I was going to say Bob Ross! I just started an appreciation thread for him on another message board.. a wonderful person, who could produce amazing expressions in the blink of an eye..
Alex Gray is deliscious. Geiger is beautiful. the great masters are unmatched.. Michaelangelo, Leonardo, Donatello, and Raphael I remember seeing that Wyeth painting up there, the one with the girl in the field, in a short story book in high school... great, moving story, the painting suited it perfectly.. The Mark Ryden looks very intruiging.. I'll have to find more of his work =) |
09-26-2003, 10:41 AM | #15 (permalink) |
Sleepy Head
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I've found a local artist here in Arizona that has blown me away with her work. Check out her stuff: http://www.lisaalbinger.com
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09-26-2003, 11:13 AM | #16 (permalink) | |
Apocalypse Nerd
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09-28-2003, 11:30 PM | #18 (permalink) | ||||
Apocalypse Nerd
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Geiger is beautiful. Oh no, another religious nut. This guys religion is a little weird though... I believe it's satanism. Sure I have a Giger book or two floating around my palace. He's a very interesting artist. Quote:
Michelangelo Leonardo Donatello was actually more known for his sculpture rather than his paintings. Don't get me wrong I was a sculpture major for three years. I love it. Raphael is also one, much studied favorite. Quote:
I think I had that same book in HS... Mark Ryden's website can be obtained by clicking on the following picture: Last edited by Astrocloud; 09-29-2003 at 10:20 AM.. |
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09-29-2003, 07:22 AM | #19 (permalink) | |
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Location: Tokyo
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up close, they´re enough to make you weep.
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Ohayo!!! |
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10-06-2003, 10:59 PM | #21 (permalink) | |
Apocalypse Nerd
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(Not much found as far as a homesite... try http://www.lowbrowartworld.com/xno_profile.html ) |
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10-07-2003, 02:34 AM | #22 (permalink) | ||||
Addict
Location: Portland
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I swear I saw someone else mentioned this artist before, but I must be blind now.. but I recently found and really love work from Trevor Brown: Quote:
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10-08-2003, 09:06 PM | #24 (permalink) |
Insane
Location: under the stairs
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Actually I am a huge fan of Anson Maddocks. He did some of the artwork for early versions of Magic the gahtering cards. I haven't played in years so I have no clue whats going on now
I like Justin Bua's artwork and Picasso's blue period as well I would post pics, but im not that intelligent and haven't figured it out yet
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ba-weep=gra=na-weep-nini-bon? |
10-10-2003, 12:53 PM | #25 (permalink) | |||
Apocalypse Nerd
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(This piece is actually sold out and I wonder how much longer it will remain on their website.) One more from a fan site: Quote:
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10-10-2003, 03:17 PM | #27 (permalink) |
Post-modernism meets Individualism AKA the Clash
Location: oregon
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i like hieranymous bosch.
a surrealist of his time. [15th century] <img src="http://www.ibiblio.org/wm/paint/auth/bosch/delight/delightr.jpg">
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And the day came when the risk to remain tight in a bud was more painful than the risk it took to blossom. ~Anais Nin |
10-10-2003, 06:43 PM | #28 (permalink) |
Loser
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I've always loved Da Vinci
God gave that man such talent. M.C. Escher is amazing...just profound. Check out this site for inspiration on all artists and their works. http://www.the-artists.org/ |
10-10-2003, 10:45 PM | #30 (permalink) | |
Apocalypse Nerd
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It comes in a three panel set. 2 Panels fold in to cover the central panel... The most wonderful panel that Anti-Fishstick shown was the right panel. This is the Left wing subtitled "The Earthly Paradise" I believe it is the counter world to what was posted earlier "Hell". This is the center of "the Garden" There are numerous analysis on this phenomenal work. I decline to comment in that vast undertaking. However I do think that I've seen this on lone at the National Gallery (DC)... It is much better live than seeing it in plates. Last edited by Astrocloud; 10-10-2003 at 10:48 PM.. |
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10-10-2003, 10:51 PM | #31 (permalink) |
Post-modernism meets Individualism AKA the Clash
Location: oregon
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yes i agree the right panel being the best :-D
i've always liked hellish things better anyway if you don't mind, i'd love to hear yr comments on the analysis. i'm suppose to do a presentation on him in class and haven't started yet :-x hehe. but any input is welcome. feel free to PM me. if not that's ok . i have resources edit: its not that i necessarily want you to help me. i'm just interested in this subject beyond just a project and any input would be nice to hear.
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And the day came when the risk to remain tight in a bud was more painful than the risk it took to blossom. ~Anais Nin Last edited by anti fishstick; 10-10-2003 at 10:55 PM.. |
10-28-2003, 10:04 PM | #33 (permalink) |
Apocalypse Nerd
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New Guy in My Life. (Okay new girlfriend but why be picky... this is art preference anyway). I bring you:
Douglas Thompson Pop Clown and Porn Clown squeaky's parole No Name Maddox (aka Charles Manson) in Marijuana Seeds Last edited by Astrocloud; 10-28-2003 at 10:10 PM.. |
10-29-2003, 05:05 PM | #34 (permalink) |
I change
Location: USA
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Keith Haring: The Avatar of Art
This piece is in the permanent collection of ARTelevision World Headquarters. We traded artwork several times and this is my favorite.
I wrote this about my friend, Keith Haring soon after his death, from complications of HIV, in 1990. We were born in the same town – 10 years apart. I published one of the first pieces that presented his work as serious art – when he was still an unknown graffiti artist getting arrested in New York for surreptitiously doing his work in the subway. ............. He was the Avatar of Art. he believed the heiroglyphic images he created were supernatural -- - encoded transmissions from conscious cosmic entities or Entity -- entering him, and through his work, the mind of man was refashioned. He was a religious fanatic, describing himself in an earlier time as a "Jesus freak". Feeling he was born too late to be a hippie, his admiration for the psychedelic edge of Pop culture impelled him to re-create it. At 21, he declared his hero-worship of John Lennon. He considered the moment of Lennon's death as the most significant in his life. The evolution of his personal philosophy began in the late 1970s, through the turn of the next decade when he drifted away from the world of professional art and hit the street with the young graffiti artists, or "tag writers", whose work and world he unabashedly romanticised, heroised, adored. The erotic magnetism of these Black, Hispanic, Oriental young men made him risk his life in obvious, subtle, invisible ways: avoiding barbed fences, guard dogs, and the electric third rail to "tag" subway cars in a street-as-studio world of spray-cans, chalk, and marker art; going everywhere mindless of a hint of the fear that a skinny white kid would doubtless experience in the dangerous city; sharing sex and drugs with the fallen angels who would die so young from overdose and AIDS. He loved their courage. He saw their youth, ethnicity, raw nerve, wild intellect, and sheer talent creating a coursing network of vast and beautiful public painting -- the city infused with brilliance, intelligence, even magical incantation. His favorite, "SAMO", tagged his messages citywide. He imagined him god-like or perhaps actually God. Keith's exegesis of "SAMO" was a complex cosmological interpretation of the precise locations and exact encryptions of the messages, and their place in cosmology. He chalked his first image on a subway wall and knew his life would undergo rapid, self-directed, sub/or/super-consciously willed change. And that this change would be in history, as history, as he was in this moment -- innocent and perfect. He did not claim to know the source of the pyramidal, saucer-shaped and humanoid pictographs he was compelled to compose, but he sensed from the start their metaphysical significance. He was a singular genius, uncanny not simply in his execution, but in his grasp and visual elucidation of complex, totally contemporary ideas, philosophies, world-views, and in his assimilation of them into his personal creative vision. Increasingly as the eighties progressed, he believed he pictorialized perfect supernatural truth. He had to work hard though, putting it into words. He was often confounded by the meaning of his evolving imagery. He needed dialog with others in order to comprehend his own messages. He cultivated global multi-media relationships with writers, artists, thinkers. He was, as well, a collaborative presence in the work of his friends. Consciousness and creativity were, to him, connective, communicative, manifold, and paradoxically both isolate and relational. He was never still and his beliefs were not static. He lived the truth. He died knowing the secret of life. He knew life is short, nothing is real, existence is a dream, living is dying, desire is suffering, fame and fortune are meaningless, religion, politics, and economics are mind-control, conventional thought is mental slavery, and the so-called "real world" is an illusion. He knew in the end nothing matters, yet he knew also love, peace, freedom, the human heart, the mind of the child, and the evolution of consciousness toward conscience, matter more than the history of art. I know these things and I knew him. In the days before his last day, we renewed our pledge to carry on our collaboration. I sent him my copy of the "Book of the Dead". Then he died.
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