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Old 10-05-2003, 05:15 AM   #47 (permalink)
bullgoose
Insane
 
Location: Central N.Y.
Quote:
Originally posted by ubertuber
If anyone is still thinking about this, I have been on a real kick with the Rite of Spring recently. I'd recommend the New York Philharmonic recording with Mehta - it is absolutely primal in places. For those that don't know, many regard this to be THE PIECE that started modern music on its way. The audience at the premiere rioted and set fire to the theatre!

Also, I played Wagner's Lohengrin 5 times this summer. I'll tell you, it takes some patience to absorb this opera as an audience member (it is 4 hours long!). However, it is worth it. Even after the 5th performance I was getting chills in my spine from some of the moments. Talk about music with the power to transform! My respect for Wagner has increased immensely now that I have had the chance to play a major work in its entirety. That's an experience I would pay for (performing, which usually get me paid, not the other way around!).

James Levine and the Metropolitan Opera put out two cd's of overtures and preludes from Wagner operas that are outstanding. If you are ever in the mood to sit down and quietly listen to something that is about 20 minutes long, I'd recommend the tracks on these albums. Guaranteed to make your spine tingle!
It's too bad that Wagner has been associated with the Nazis; even though Wagner (the man) was a German nationalist, and there is evidence that he held anti-semetic views, his music is among the best that German compsers have to offer (and when you look at the roster of great German composers, that's impressive). His operas are pretty hard to deal with; they're so damned LONG! The music is worth putting up with the length though.
My personal favorite is "Die Meistersinger"; it's a little more accessible than the Nebilungenlied, but it STILL goes on forever; Wagner wrote a number of orchestral works and pieces for solo instruments that are quite beautiful, but operatic music was his forte, and he just blows away any other operatic composer in my book.
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