“Wrong is right.”
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The Moral Crusade Against Foodies
I recently found out about and read a great article in The Atlantic. In it, author B.R. Myers writes about the foodie movement, citing examples from authors such as Michael Pollan and Anthony Bourdain who preach the solemnity of eating gourmand meals in general, and meat in particular. Myers also condemns the foodie movement as one of moral relativism:
The Moral Crusade Against Foodies - Magazine - The Atlantic
As a vegan, the article resonated with me. Since I've begun researching food culture as a vegan (in that "I research things in magazines and the internet" way and not the "I research in textbooks and peer-reviewed journals" way), I've long felt suspicion towards foodies like Bourdain and Pollan, and this article really crystallizes why.
My understanding of the main point of the article is that foodie culture claims to be sophisticated yet "with the people" so vegetarianism and veganism is seen as irrational and impractical sentimentality towards animals, and yet Myers makes it clear that the foodies are far more subject to sentimentality and desperate piety.
Some choice paragraphs:
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Now for the foodie version. The human animal evolved “with eyes in the front of its head, long legs, fingernails, eyeteeth—so that it could better chase down slower, stupider creatures, kill them, and eat them” (Bourdain, Medium Raw). We have eaten them for so long that meat-eating has shaped our souls (Pollan, The Omnivore’s Dilemma). And after so many millennia of domestication, food animals have become “evolutionarily hard-wired” to depend on us (chef-writer Hugh Fearnley-Whittingstall, The River Cottage Meat Book). Every exercise of our hungry power is thus part of the Great Food Chain of Being, with which we must align our morals. Deep down—instinctively if not consciously—the “hardwired” pig understands all this, understands why he has suddenly been dragged before a leering crowd. Just don’t waste any of him afterward; that’s all he asks. Note that the foodies’ pride in eating “nose to tail” is no different from factory-farm boasts of “using everything but the oink.” As if such token frugality could make up for the caloric wastefulness and environmental damage that result from meat farming!
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Naturally the food-obsessed profess as much respect for tradition as for evolution. Hamilton, in Blood, Bones and Butter, writes of her childhood dinners: “The meal was always organized correctly, traditionally, which I now appreciate.” Even relatively young traditions like the Thanksgiving turkey must be guarded zealously against efforts to change or opt out of them. Foreign traditions destigmatize every dish even for the American. In Best Food Writing 2010, one foie gras lover asks another whether he would eat tortured cat if there were sufficient Mongolian history behind the dish; the answer is yes.
So tradition is an absolute good? No. When it dictates abstention from a certain food, it is to be rejected. Francine Prose shows how it’s done in her prize-winning Saveur article, “Faith and Bacon.” I need hardly explain which of those two she cannot live without. Prose concedes that since pigs compete ravenously with humans for grain, her Jewish forefathers’ taboo against pork may well have derived from ecological reasons that are even more valid today. Yet she finds it unrealistic to hope that humans could ever suppress their “baser appetites … for the benefit of other humans, flora, and fauna.” She then drops the point entirely; foodies quickly lose interest in any kind of abstract discussion. The reader is left to infer that since baser appetites are going to rule anyway, we might as well give in to them.
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If nothing else, Bourdain at least gives the lie to the Pollan-Severson cant about foodie-ism being an integral part of the whole, truly sociable, human being. In Bourdain’s world, diners are as likely to sit solo or at a countertop while chewing their way through “a fucking Everest of shellfish.” Contributors to the Best Food Writing anthologies celebrate the same mindless, sweating gluttony. “You eat and eat and eat,” Todd Kliman writes, “long after you’re full. Being overstuffed, for the food lover, is not a moral problem.” But then, what is? In the same anthology, Michael Steinberger extols the pleasure of “joyfully gorging yourself … on a bird bearing the liver of another bird.” He also talks of “whimpering with ecstasy” in a French restaurant, then allowing the chef to hit on his wife, because “I was in too much of a stupor … [He] had just served me one of the finest dishes I’d ever eaten.” Hyperbole, the reader will have noticed, remains the central comic weapon in the food writer’s arsenal. It gets old fast. Nor is there much sign of wit in the table talk recorded. Aquinas said gluttony leads to “loutishness, uncleanness, talkativeness, and an uncomprehending dullness of mind,” and if you don’t believe him, here’s Kliman again:
I watched tears streak down a friend’s face as he popped expertly cleavered bites of chicken into his mouth … He was red-eyed and breathing fast. “It hurts, it hurts, but it’s so good, but it hurts, and I can’t stop eating!” He slammed a fist down on the table. The beer in his glass sloshed over the sides. “Jesus Christ, I’ve got to stop!”
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Ridiculous.
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