Quote:
Originally Posted by shakran
So would I. . .but then I'd put a Ferrari up against a Lexus any day too 
My biggest complaint about FCP is that you have to use it on a mac. I hate the mac interface and all the cutesy little shit they put in the GUI.
No argument there, though at my last shop it was always entertaining when the cameras would lose their minds and start panning and tilting randomly while we were on-air.
NEVER!!
That, I will grant you. I miss the color correction in Avid. FCP's manual rgb balance filter works, but it takes more time and effort. But then, I white balance so I don't generally need color correction. -elbow- |
SO which automation systems do you like the best??
Ya, white balance is great and all, but when you receive footage from people who don't know what it is, or who don't have a 3 chip camera.. well.. you need the color correction...
One other thing about Premiere, I'm pretty certain that since the new version of Flash will directly import comps from AE and keep effects,color and tracking data, I'm betting it will do the same for premiere.. so if hurk wanted to do some flash stuff, it will be a better workflow going the adobe route..especially since he's on a pc.
I'm gonna have to check on that.. I don't do any flash..