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For the record, I think the Phantom of the Opera film was motivated by the success of Chicago and Moulin Rouge and NOT ignorance of the bombing of Evita.
It would be good if the success of Chicago ushered in an era of musical films (a la Moulin Rouge) and talent who can be true "triple threats" (and I'm not talking about graduates of the Randolph Academy here in Toronto who do scare me with their talents, and not in a good way).
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Warden Gentiles: "It? Perfectly innocent. But I can see how, if our roles were reversed, I might have you beaten with a pillowcase full of batteries."
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