Quote:
Originally Posted by exizldelfuego
I'm just wrapping up a printmaking class in which we learned about many major methods of printmaking while producing some of our own rudimentary examples. For the intaglio methods we did a drypoint, but I'd be negligent if I didn't say I was most interested in playing with mezzotint.
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You have got to try it. It is very labor intensive, the preparing of the plate with the mezzontint rocker, but the textures you can get are quite beautiful. I usually work with intaglio or drypoint. some day i would like to try lithogroaphy as well