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Originally Posted by ARTelevision
zen_tom, no, my response would be the same.
I see things rendered up to my sensory experience as phenomena with particular histories, existences, and trajectories - as texts.
I look at all texts the same way - existentially. That is, I see them as products of my experience, my mind, my senses, and of outside agencies - sometimes the agent is human. As I move through various levels of deconstruction and/or comprehension, I come to certain tentative conclusions.
Why should I look at art any other way than the way I look at a tree, for example? I like Jackson Pollack's explanation of himself and his work. When asked why he didn't paint from nature, he declared, "I am nature".
Why should I look at a beaver dam any differently than I look at a work of art? Why should I look at a work of art any differently than I look at a machine?
Why should I look at a work of culture differently than I look at a work of nature?
I don't see any good reasons to do so.
So I don't.
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Sounds awfully disengaged. I'm sure there are some benifits to that view...but it seems to reduce everything to the viewer's level of comprehension. One of the reasons i'm drawn to art is my self-awareness that i don't have the full text in front of me. communication, by its very nature, is going to be a process whose "outside agents" as you call them are not simply something to be analyzed. They're participants. This reductionism you espouse doesn't let them do that.
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For God so loved creation, that God sent God's only Son that whosoever believed should not perish, but have everlasting life.
-John 3:16
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