View Single Post
Old 03-02-2004, 12:15 PM   #194 (permalink)
smooth
Junkie
 
Location: Right here
Since race is a dead issue in the US, why did the press think that the "first preson of African descent to be nominated" was a story?

Most interesting to me, however, is that they were referring to Djimon Hounsou In America--there wasn't much mention of Charlize Theron as being from South Africa.

I think it's weird, though, of you to point to someone like Charlize as evidence of equality.

Here's an interesting page from Indiana U's page:

Quote:
Feature Presentation:
African American Oscar Winners

The Academy of Motion Picture Arts and Sciences Awards, considered the most prestigious annual award ceremony for film in the United States, has a long and distinguished history of recognizing outstanding achievement in film. Unfortunately, their recognition of African American actors, actresses, and filmmakers has been few and far between.

The first African American to win an Academy Award was Hattie McDaniel for her performance as "Mammy" in Gone With the Wind (1939). Despite this breakthrough fairly early in the history of the Academy Awards, it would be another twenty-four years before another African American was once again honored (with the exception of the Honorary Award given to James Baskett in 1948 for his performance as "Uncle Remus" in Disney's Song of the South). When Sidney Poitier won a Best Actor Oscar for his performance in Lilies of the Field (1963) in the midst of the Civil Rights Movement in 1964, many hoped that the playing field was finally becoming more level. Unfortunately, it would be nineteen more years before another African American won an Academy Award.

Several black actors and one black actress won Oscars for supporting roles in the 1980s and 1990s, however none won for a leading role again until the 2002 Academy Awards. In that year, African Americans actually won both of the top acting awards. Halle Berry became the first African American woman to win the Best Actress award for her performance in Monster's Ball (2001), and after being nominated twice before for a leading role, Malcolm X (1992) and The Hurricane (1999), Denzel Washington finally won for his portrayal of a dirty cop in Training Day (2001).

The 2002 Academy Awards also featured an Honorary Lifetime Achievement Award given to Sidney Poitier. With three Oscars awarded to black actors, some declared that discrimination in the movie industry was a thing of the past and that African Americans had finally made it, while others maintained that progress was being made but there were still too many obstacles for people of color to overcome.

Is Hollywood still conducting business in black and white, or is green the predominant color of the Film Industry? In other words, does the image of African Americans that Hollywood most frequently presents reflect what makes the most money with national and international audiences? If so, what can be done to combat this problem in order to secure more worthwhile roles for black actors and actresses and projects for black filmmakers?

We encourage you to make up your own mind by taking a look at the articles, books, websites, and films listed at the bottom of this web page.
African American Academy Award Winners:
Hattie McDaniel, Best Actress in a Supporting Role for Gone With the Wind (1939).
James Baskett, Honorary Award "for his able and heart-warming characterization of Uncle Remus, friend and story teller to the children of the world in Walt Disney's Song of the South" (1946). [awarded at the 1948 Academy Awards Ceremony]
Sidney Poitier, Best Actor in a Leading Role for Lilies of the Field (1963).
Louis Gossett, Jr., Best Actor in a Supporting Role for An Officer and a Gentleman (1982).
Denzel Washington, Best Actor in a Supporting Role for Glory (1989).
Whoopi Goldberg, Best Actress in a Supporting Role for Ghost (1990).
Cuba Gooding, Jr., Best Actor in a Supporting Role for Jerry Maguire (1996).
Halle Berry, Best Actress in a Leading Role for Monster's Ball (2001).
Denzel Washington, Best Actor in a Leading Role for Training Day (2001).
Sidney Poitier, Honorary Lifetime Achievement Award "for his extraordinary performances and unique presence on the screen and for representing the industry with dignity, style and intelligence." [awarded at the 2002 Academy Awards Ceremony]

Here are some resources for learning more about African Americans and the Academy Awards:
Documentary Film:
America Beyond the Color Line with Henry Louis Gates, Jr. (2004), A BBC and PBS production. [see part 4, "Los Angeles: Black Hollywood"]
Websites:
The Academy of Motion Picture Arts and Sciences
B. Davis Schwartz Memorial Library at Long Island University: African-Americans in Motion Pictures: The Past and Present.
Articles/Books:
Casanova, Tara. Blackflix.com. "Oscar Wild: Oscar breaks racial barrier!".
Collier, Aldore. "The Oscars in Black and White: African American actors and the Academy Awards," Ebony. April 2000. [includes a list of African Americans nominated for Academy Awards]
Gates, Henry Louis Jr. America Behind the Color Line: Dialogues with African Americans. New York:Warner Books, 2004.
Goodale, Gloria. "Controversy Hits Oscars Even Before Envelopes Opened," Christian Science Monitor. 3/25/96, Vol. 88, Issue 82.
Hughes, Zondra. "Has Hollywood Really Changed?," Ebony. June 2002, Vol. 57, Issue 8.
Kaplan, Erin Aubry. "Hollywood Babble-On," Crisis (The New). May/June 2002, Vol. 109, Issue 3.
Mapp, Edward. African Americans and the Oscar: Seven Decades of Struggle and Achievement. Lanham, Md.: Scarecrow Press, 2003.
Modleski, Tania. "In Hollywood, Racist Stereotypes Can Still Earn Oscar Nominations," Chronicle of Higher Education. 3/17/2000, Vol. 46, Issue 28.
Simpson, Tyrone. "Hollywood Bait and Switch: The 2002 Oscars, Black Commodification, and Black Political Science (Part One)," Black Camera. Fall/Winter 2002, Vol.17, no.2.
Simpson, Tyrone. "Hollywood Bait and Switch: The 2002 Oscars, Black Commodification, and Black Political Science (Part Two)," Black Camera. Spring/Summer 2003, Vol. 18, no. 1.
http://www.indiana.edu/~bfca/features/oscars.html
__________________
"The theory of a free press is that truth will emerge from free discussion, not that it will be presented perfectly and instantly in any one account." -- Walter Lippmann

"You measure democracy by the freedom it gives its dissidents, not the freedom it gives its assimilated conformists." -- Abbie Hoffman

Last edited by smooth; 03-02-2004 at 12:24 PM..
smooth is offline  
 

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 197 198 199 200 201 202 203 204 205 206 207 208 209 210 211 212 213 214 215 216 217 218 219 220 221 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 240 241 242 243 244 245 246 247 248 249 250 251 252 253 254 255 256 257 258 259 260 261 262 263 264 265 266 267 268 269 270 271 272 273 274 275 276 277 278 279 280 281 282 283 284 285 286 287 288 289 290 291 292 293 294 295 296 297 298 299 300 301 302 303 304 305 306 307 308 309 310 311 312 313 314 315 316 317 318 319 320 321 322 323 324 325 326 327 328 329 330 331 332 333 334 335 336 337 338 339 340 341 342 343 344 345 346 347 348 349 350 351 352 353 354 355 356 357 358 359 360