10-21-2004, 11:00 PM | #1 (permalink) |
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Tom Waits - Real Gone
Anyone else diggin' Tom Waits' latest release?
I bought this CD and wasn't around a stereo for like a day and a half afterwards, but I felt like I'd gotten my money's worth just reading the insert inside the CD jacket. Honestly, I really do not think there is a lyricist in music on the same level as Waits... as big a fan of Dylan as I am, I never thought I'd say that. Dylan still rules all in terms of pure songwriting, but the images and language Waits uses is second to none. "How's it Gonna End?" is one of the coolest songs I've heard all year. The entire album is just world class poetry being barked out by one of the most fascinating voices in music, on the strength of a pot-and-pans band led by Primus' bassist Les Claypool.
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10-22-2004, 06:03 AM | #2 (permalink) |
Psycho
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the only thing i have from waits is Mule Variations (i think that's the name of it...). i like most of the stuff on it, and most of the other things i've heard from him (like when i've seen him on letterman, for example), but i have never taken the step to becoming more familiar with his career. do you have a recommendation for a good place to start? maybe this release?
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10-22-2004, 01:20 PM | #4 (permalink) | |
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Back in his earliest years, like 30 and more years ago, he had more of a piano-soothing-melodies kind of sound, which is great stuff, and two good albums for that would be Closing Time or Small Change. If you wanna try to download a song or two, Heart of Saturday Night is a good one, as is The Piano Has Been Drinking, or Ol' 55. Then there's this maniacal barky funky sound he developed in the 1980's, which is more of where he's at right now. On Real Gone in particular, there's almost nothing that's pleasing to the untrained ear, and by that I mean an unassuming person putting it on as background music. I hope that sort of makes sense... you can see it Mule Variations anyway. Either way, he's always been a mind-blowing lyricist, you can count on that.
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10-25-2004, 10:21 PM | #7 (permalink) | |
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Quote:
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10-26-2004, 11:10 PM | #8 (permalink) |
Crazy
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I was lucky enough to catch him on his Mule Variations tour. He's doing/did a short tour this fall, just a show or two in Canada and off to Europe. You really have to keep your ear to the ground though, his shows always sell out within 30 minutes.
What I really want is a time machine to the 70s so I can catch him drunk at a piano in a small show. Grendel - with such a body of work it's hard to know where to start. I and most of the people I know first picked up Rain Dogs - a disc that had me hooked the first time I heard it. It's very freaky-cool though, and a person could hate it and love his earlier stuff like Blue Valentine or Closing Time. |
10-28-2004, 08:17 PM | #13 (permalink) |
At The Globe Showing Will How Its Done
Location: London/Elysium
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This album is worth the price of admission just for Day After Tomorrow! The rest of the album is pretty good but that song....that song.....well, just listen to it and you well know what I mean.
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10-31-2004, 07:01 AM | #14 (permalink) |
Minion of the scaléd ones
Location: Northeast Jesusland
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So does he have Marc Ribot doing his guitar work on this one? I agree with everything that's been said about Tom Waits as a lyricist, but, I think that because he is so very brilliant, Marc Ribot's guitar genius gets largely overlooked. Check out "Black Market Baby" on Mule Variations, or "Goin Out West", "In the Colesseum", or "Black Wings" on Bone Machine".
The other thing I am concerned about is how this one compares to Blood Money and Alice, which I thought were comparatively weak.
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10-31-2004, 09:23 AM | #16 (permalink) |
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His album "Beautiful Maladies" features the song "Way Down in the Hole," which is the song they've used as the opening theme on HBO's "The Wire," covered by different artists.
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