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thats one of the reasons that the production companies spend money on mounts just outside the vehicle to help bring the motion of parallax closer to the camera, hence the over the wheel shots, rear fender shots, etc.
Also I noticed that most of the best camera shots have tandem cameras in sync one pointed at the direction and the other pointed at the speedo. and tehn the speedo shot is added into the other shot as a small mortices.
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